{"id":1670,"date":"2017-01-08T16:23:40","date_gmt":"2017-01-08T14:23:40","guid":{"rendered":"https:\/\/www.xonoglou.gr\/en\/keimena\/"},"modified":"2022-05-21T17:38:22","modified_gmt":"2022-05-21T14:38:22","slug":"texts","status":"publish","type":"page","link":"https:\/\/www.xonoglou.gr\/en\/texts\/","title":{"rendered":"Texts"},"content":{"rendered":"
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Memorandum<\/a><\/h4>\n \n
When I am asked to talk about my work, it is as if I am being asked to “abuse” it. No matter how flattering the texts of those who wrote...<\/div>
Category : <\/strong>2000<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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The Miracle of the Mediterranean<\/a><\/h4>\n \n
I always thought that this girl, Frida, was the archetype of Mediterranean women. A solitary, independent and self-contained marriage with universality, with ostensibly motley bridesmaids, which compose a diverse common...<\/div>
Category : <\/strong>2014<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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Cross<\/a><\/h4>\n \n
Two coexisting, visually identified archetypal symbols, defined by four antennas – receivers which form one of the symbols and at the same time signify the infinity of universal relations. The...<\/div>
Category : <\/strong>2014<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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Countless\u2026<\/a><\/h4>\n \n
Thus begins the baby’s first cry when the guardian angel gently caresses his mouth and nose with his wings. As soon as the last tear from their son’s cheeks dried,...<\/div>
Category : <\/strong>2012<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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Going down the stairs with a sugar cube in hand<\/a><\/h4>\n \n
The one I do not like no matter how hard I try is Marcel Duchamp, he stuck a ragged bicycle wheel on a stool, he signed a urinal and since...<\/div>
Category : <\/strong>2011<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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Of education<\/a><\/h4>\n \n
Tintoretto wiped his dirty hands from the paint on a cloth, rinsed them with soap and oil, took one last look at the painting that had just finished “THE FLIGHT...<\/div>
Category : <\/strong>2011<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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My dear Xanthippi<\/a><\/h4>\n \n
I was not lucky enough to enjoy your creative presence at the School of Architecture, but I was given the opportunity to meet you at the place where you dedicate...<\/div>
Category : <\/strong>2011<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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“Slow down or tardi *”<\/a><\/h4>\n \n
I do not know if the cult of speed managed, with exceptions, to give us small or big moments from the \u2018smell\u2019 \u2013 essence of time – to be honest,...<\/div>
Category : <\/strong>2010<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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The boulevard of the bypass and the beer<\/a><\/h4>\n \n
Project materials: – Reeds from the banks of the Nile at the time when Pharaoh’s daughter found Moses in his basket in the river kennels; brought from her space trip...<\/div>
Category : <\/strong>2010<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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Goal. The liquidity strategy<\/a><\/h4>\n \n
Football is a process of easy religiosity of an infinite number of mass human beings, without the risk of challenging dogmas, without the risk of heresies. Football is a substitute...<\/div>
Category : <\/strong>2005<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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The black body<\/a><\/h4>\n \n
Vinia, on each rock gave the shape of a black woman. Then like a good witch after letting them play by staggering through the water, he collected them, dried them...<\/div>
Category : <\/strong>2002<\/a>, Articles by Dimitris Xonoglou<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \n\t<\/div>\n\t \n
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For a reading above and below the surface<\/a><\/h4>\n \n
From 2009-2012 the artist Dimitris Xonoglou, professor at the School of Architecture of the Aristotle University of Thessaloniki , once again, after an interval of many years, dives into \u2018\u2019pure...<\/div>
Category : <\/strong>2014<\/a>, Interviews<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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When asked by a journalist “what is art”<\/a><\/h4>\n \n
Art is to open your fridge in order to drink a glass of water and a flock of colorful Guatemalan butterflies to flutter from inside, writing the word “good morning”...<\/div>
Category : <\/strong>2013<\/a>, Interviews<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \t\n\t\n\t
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A conversation with Antaios Chrysostomidis<\/a><\/h4>\n \n
I consider myself a painter of the human soul Dimitris Xonoglou – What were the dominant tendencies in art during your formative years? Whose child do you consider yourself to...<\/div>
Category : <\/strong>2013<\/a>, Interviews<\/a><\/div><\/div><\/div> <\/div>\n <\/div>\n \n <\/div>\n\t<\/article>\n\n \n\t<\/div>\n\t \n","protected":false},"excerpt":{"rendered":"I consider myself a painter of the human soul Dimitris Xonoglou - What were the dominant tendencies in art during your formative years? 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