Review by Emmanuel Mavrommatis

Dimitris Xonoglou works with materials that refer to general and at the same time decisive concepts: this is his work of recent years in which the always same and alternating...

Category : 1992, Reviews

Review by Miltiadis Papanikolaou

Dimitris Xonoglou’s ten year production in the field of neo-representational art was distinguished not only by his tendency to use shattered, transcendental, almost distorted forms, but also by his desire...

Category : 1990, Reviews

Dimitris Xonoglou’s painting

Both interpreters of dreams and psychoanalysts should be interested in the entirely personal mythology with which Dimitri Xonoglou started out. I have personally been interested in his work since his...

Category : 1990, Reviews

Review by Harry Savvopoulos

Despite the promises and aspirations for objectivity, modern art and today are distinguished by a deep subjectivity that enables them to be articulated in a space rooted in the experience...

Category : 1987, Reviews

Dimitris Xonoglou – by Angela Tamvaki

It is well known that both expressionism and surrealism are experiencing a new boom nowadays with renewed forms and symbols enriched with new content. These two trends are not incompatible....

Category : 1983, Reviews

A strong personal confession

When you come in visual contact with the paintings of Dimitris Xonoglou, for the first time, you have the feeling that you are attending a strong personal confession. Confession of...

Category : 1982, Reviews

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